Mountain-Light
THE EYE OF THE PHOTOGRAPHER
Recently on British TV three different professional photographers received each a different digital camera and were asked to photograph different subjects - from people to landscapes and then compare the results.
One received a telephone with a camera, the other a compact camera and the third a top quality Digital SLR camera. Setting aside the technical difficulties and the limitations that the first two cameras presented to the professional photographers, how did their work compare? If you didn't know which camera had been used, it was difficult to fit print to specific camera. What does this show? Is a good photograph the result of a good camera?
This is good but it can also be bad. Why?
The crafting of an image is closely tied to a number of factors - the ISO, aperture, shutter speed. The most important part of the camera from the point of view of picture quality is the lens. But even the best lens cannot create a good picture - only the eye of the photographer can. Is there a rule that can be followed that will greatly improve our photography? Yes! When applied intelligently this rule will dramatically improve our photography. BASIC RULE:
A good photograph must have a theme.
A good photograph must have a theme - the reason to take the picture must be clear. What is the central point or theme? Why did the photographer take the image?
The theme must be emphasised - there are a number of ways to do this, two examples: Make the theme (the main subject) large enough to dominate the attention. By selective focus, placing everything before and after the main subject less sharp. It must be simplified - meaning that anything that does not contribute to the theme must be removed. Any distracting content? Any empty spaces? Too much foreground or background? Many are reluctant to crop the image, as a result distracting elements are left in, contributing to the weakening of the theme. CROPPING is an essencial part in the refining process.
Landscape and Wildlife Photography
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